Cristina Lavosi


Off the Grid
Periode: 19.06—12.10.2025

Cristina Lavosi (b. 1993) is a visu­al artist and prac­ti­ce-based researcher living in The Hague (NL). Her work is con­cerned with inves­ti­ga­ting insti­tu­ti­o­nal vio­len­ce and chal­len­ging power struc­tu­res. Her prac­ti­ce looks at how visu­al and ver­bal lan­gu­a­ge is con­struc­ted and per­for­med by Western poli­ti­cal and cul­tu­ral insti­tu­ti­ons to sha­pe domi­nant nar­ra­ti­ves and impo­se norms of living. Being direc­ted at dis­mant­ling hege­mo­nic nar­ra­ti­ves to effec­ti­ve­ly pro­po­se alter­na­ti­ve soci­al ima­gi­na­ries, her work is based on the decon­struc­ti­on and re-con­tex­tu­a­li­sa­ti­on of visu­al and tex­tu­al mate­ri­als, resul­ting in time-based media and audio-visu­al instal­la­ti­ons. Her artis­tic lan­gu­a­ge encom­pas­ses digi­tal and ana­lo­gue video (16 mm and Super 8), archi­val foot­a­ge, sound, pho­to­grap­hy, and prints.


Website
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Studio View

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Cristina Lavosi

During her resi­d­en­cy, from June until September, Cristina Lavosi will research the cri­ti­cal and coun­ter-repre­sen­ta­ti­on of Western pre­vai­ling sys­tems of poli­ti­cal orga­ni­sa­ti­on. She will look at how visu­al and ver­bal lan­gu­a­ge is con­struc­ted and per­for­med, espe­ci­al­ly by poli­ti­cal and cul­tu­ral institutions.

Cristina is a research-based visu­al artist and film­ma­ker, cur­rent­ly based in The Hague. Her prac­ti­ce is con­cerned with the cri­ti­cal ana­ly­sis and coun­ter-repre­sen­ta­ti­on of Western pre­vai­ling sys­tems of poli­ti­cal orga­ni­sa­ti­on. With her works she looks at how visu­al and ver­bal lan­gu­a­ge is con­struc­ted and per­for­med, espe­ci­al­ly by poli­ti­cal and cul­tu­ral insti­tu­ti­ons, to sha­pe domi­nant nar­ra­ti­ves, impo­se arche­ty­pes of nor­ma­ti­ve exis­ten­ce, and legi­ti­mi­se power struc­tu­res. Next to the decon­struc­ti­on of hege­mo­nic ide­o­lo­gies, she is com­mit­ted to a trans­for­ma­ti­ve appro­ach to sto­ry­tel­ling and to fin­ding ways to pro­po­se alter­na­ti­ve soci­al ima­gi­na­ries, most­ly making use of fic­ti­on and re-enact­ment in my audio-visu­al work. She see fic­ti­on as having a sub­ver­si­ve poten­ti­al to sha­ke pre­con­cei­ved views of rea­li­ty and chal­len­ge esta­blis­hed order.

For instan­ce, her recent work (A Choral Accomplishment) is a semi-fic­ti­o­nal film, set in a com­mu­ni­ty kit­chen, whe­re home-chees­e­ma­king and cho­ral sin­ging beco­me col­lec­ti­ve prac­ti­ces of resis­tan­ce against neo­li­be­ral iso­la­ti­on and capi­ta­list exploita­ti­on. Inspired by Sardinian shep­herds’ pro­tests against low milk pri­ces in 2019, the magic-rea­list sce­ne­ry hints at work-sha­ring and the com­mu­na­li­sa­ti­on of eve­ry­day (re)production labour as a pos­si­ble foun­da­ti­on of an anti-capi­ta­list pro­gram. The film was cre­a­ted through col­la­bo­ra­ti­ons with artists and prac­ti­ti­o­ners from various fields, who con­tri­bu­ted to all ele­ments of the film­ma­king pro­cess (music, props, cos­tu­mes, vocals, and performance).