'Brook and brooklet haste below': Elise Eeraerts & Roberto Aparicio Ronda at WUNDERKAMMER - NATURALIA I ARTIFICIALIA

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EN

Swamps, moors and wet­lands: in both his­to­ri­cal and con­tem­po­ra­ry sto­ries, they are often the sym­bo­lic set­ting for sinis­ter events; a pla­ce of mischief and mys­tery. For instan­ce, the ghost lights cre­a­ted by the slow igni­ti­on of swamp gas­ses often ful­fills the role of spi­rits in sagas and myths becau­se of its mys­te­rious form. Or think of the maca­b­re phe­no­me­non of bog corp­ses being mum­mi­fied by the pre­ser­va­ti­ve effect of the peat soil. At the same time, wet­lands are asso­ci­a­ted not only with death, but abo­ve all with life. They har­bor a very diver­se eco­sy­s­tem that plays an impor­tant role in the con­text of cli­ma­te chan­ge as car­bon sinks and storm buffers.”

– extract form the exhi­bi­ti­on text by Karen Verschooren



Since 2012, Elise Eeraerts & Roberto Aparicio Ronda have been devel­o­ping a mul­ti­dis­ci­pli­na­ry prac­ti­ce focu­sing main­ly on the rela­ti­ons­hip bet­ween art and archi­tec­tu­re. Their pro­jects sub­stan­ti­a­li­ze in natu­ral set­tings or urban public spa­ce, whe­re site-spe­ci­fi­ci­ty, his­to­ry and mate­ri­al trans­for­ma­ti­ons are the sub­ject of their research. 

As the most pri­mi­ti­ve mate­ri­al, earth occu­pies an impor­tant cen­tral role within their prac­ti­ce: from explo­ra­ti­ons of land and exca­va­ti­ons the­rein, to the approp­ri­a­ti­on of various types of soil and its pro­ces­sing into objects and spa­ti­al instal­la­ti­ons. In their recent work, Eeraerts and Aparicio Ronda exa­mi­ne the role of land and lands­ca­pe from a cli­ma­te sci­en­ce per­spec­ti­ve. In a thought-pro­vo­king, often vis­ce­ral way, they allow cur­rent con­ven­ti­ons from the anthro­poce­ne to col­li­de with ide­as and tra­di­ti­ons whe­re­by humans have and con­ti­nue to approp­ri­a­te nature. 

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